Proceeding2562

1663 การประชุมวิชาการระดับชาติมหาวิทยาลัยทักษิณ ครั้งที่ 29 ประจ�ำปี 2562 วิจัยและนวัตกรรมเพื่อการพัฒนาที่ยั่งยืน Soil - Mud Chairat Sangthong 1* Abstract Introduction : An experience and familiarity to live in the countryside made an opportunity to appreciate the different sides of people. Those people harmoniously lived their life with their local area created a agriculture career custom. This is a national career which is so simple but still has interesting details. Objective : To study the visual arts principle by creating the realistic paintings using acrylic on canvas technique. These artworks emphasized the portrait to reflect the way of life in the countryside which is sufficient, happy and sufferable. Methodology : Studying the gestures of people in various ages and gender. Then the researcher had analyzed the expression of the feeling on their faces and also their daily costumes. After that, sketched the painting and using it as a pattern to arrange the posture of the model and took photos in different shots. Finally, the photos were selected the shot that can expressed emotion perfectly and used it as a model for completing the art- works. Results : There are 17 artworks in this collection dividing in 3 sets. Each set presented the people portrait, faces expression, postures costumes and also other elements as the symbol comparative. These comparative presented the local people’s image living and working together with soil and mud and it is a visual arts aes- thetic effect that shows the deepest of meaning of life which is a philosophy perceived by the audiences. Keywords: Realistic painting, Countryside, Portrait, Mud