Proceeding2562

1678 การประชุมวิชาการระดับชาติมหาวิทยาลัยทักษิณ ครั้งที่ 29 ประจ�ำปี 2562 วิจัยและนวัตกรรมเพื่อการพัฒนาที่ยั่งยืน A Musical analysis of method in playing Saw Aoo of Professor Chaluay Jiyajan, Thayoy Nok Sam Chan Song Chakrit Chalermsuk 1 and Chadaporn Aumpranam 2 Abstract Introduction : A Musical analysis of method in playing Saw Aoo of Professor Chaluay Jiyajan, Thayoy Nok Sam Chan Song to clarify the details about music structure and aesthetics of Sow-Aoo Objective : The research aims to acknowledge the method of playing two-stringed bass fiddle which is the identity of the professor. Creative methods : Use the style of pressing the strings by putting the fingers in order in the same position and repeat until the melody finishes. The melody was found in vine style (Thao-Wan) which demonstrates the unique character in repeating melody outstandingly. The melody was produced by circulating up and down repeatedly. Creative results : The outcome of the analysis found out the playing style in one tone, and repeating melody which was remarkable in changing melody. The particularly special method is drawing the strings, rolling fingers, pressing the little finger on the bass string, pitching fingers method, pitching fiddle bow method, pitching sixteenth note method. This is to say that the objective of using such method is significantly focus on sound quality, emphasizing on gentle melody, continuous sound, melody and tone of songs and to help in smooth flowing of songs played in fast rhythm. Keywords : Saw Aoo, Thayoy Nok