Proceeding2562

50 การประชุมวิชาการระดับชาติมหาวิทยาลัยทักษิณ ครั้งที่ 29 ประจ�ำปี 2562 วิจัยและนวัตกรรมเพื่อการพัฒนาที่ยั่งยืน Composition Solo Ranad Tum Phaya Rumpung Sam Chan Panan Kritsanarom 1 Chatprapa Thaweesap 2 Abstract Introduction : Compositions picked “Payarumpung” from story “Payasoak”. the music that filled with story of “Luag Tao”. Objective : Research. Meant to analysis and explore about main tune for composing. Methods : Is quality- research. Meant to analysis and explore about main tune for composing. Results : Into single tune. Which has 4 sound “stairs (Level)” Are : (C D E x G A x) For “Tang Sieng nork in Lao Accent” , ( G A B x D E x) For Tang seung nai. (B C D x F G) for Tang Seung oor lang with mon accent. And (D E F x A B x) tang seang glang havb which have 6 rhythm types. Using Nathub PropKai 3 Layer Rhythm. Tune that usually found duplicate with each other is sentence 11 with 5 duplicates found in 12 th 19 th 20 th 21 st and 24 th tune set. From deeper analysis the main tune show us researchers that “Payarumpung” is considered as the music that filled with story of “Luag Tao”. Compose: 1. First part we will have them neatly planned and arranged until “Tonsub” where we adjust the part to be more entertaining. 2: We will have something called “Lug Jangwa” and “Koak Gan Doud”. This is opportunity to show tricks from Ranard Thump. Conclusion : But still following planned notes. Which are : End from the left and begin from the right. Or End from the right and begin from the left.Using sophisticated and multiple tricks used on Ranard thum. Keywords : Composition, Thai Music.